In that Zoom, we got along so well
On Single Ladies, probably his most indelible creation, the layers are implicit beneath a chirping, syncopated lurch that would seem nearly impossible to sing over
Brian Mansfield of USA Today designated it "Album of the Week," summarizing that " Melophobia may mean 'fear of music,' but there's nothing to be afraid of: Its glorious chaos makes for thrilling listening." [28] August Brown of the Los Angeles Times viewed Melophobia as "a bit more stoned and mellow" than its predecessor, "they're in a class of their own [...] Let's just be glad to have such imagination on our drive time rock radio again." [25] Holly Gleason of Paste described the album as "post-modern glam revival," praising Jay Joyce's production and opining that " Melophobia is united in both the urgency of the performances and the seemingly toxic love affairs that populate these songs." [26] Rolling Stone 's Jon Dolan considered the record a combination of "Sixties garage rock, Seventies punk and Eighties alt-rock into excellently weird new shapes." [27] Doug McCausland of Alternative Nation said Melophobia was Cage's strongest record at the time
It just tells you about the kind of environment you and your family are living in, swears a bit, and leaves the rest up to you
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